A chronological index of AI-generated synthographic artwork

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Fictional driftwood cabinets built from wreckage that never existed — constructed through artificial intelligence, not carpentry. Weathered planks, peeling paint, rusted hinges and traces of graffiti suggest realism, yet nothing here is real. These are impossible artefacts: convincing fictions designed to seduce the eye and subvert belief.

Digitally constructed floral compositions inspired by Dutch still-life painting — baroque, hyperreal, and precise. These bouquets never wilt or fade, their petals suspended in light and shadow. Conjured entirely through language, Anthos transforms abundance into illusion: flowers that exist only as image — radiant, impossible, and unreal.

Sculpted wooden flowers that exist only as illusion. Neither wood nor flower, these hyperreal forms are crafted entirely with AI — never carved, never painted, never touched. The images invite the viewer to believe in what cannot be held: digital objects that feel physical, poised, and precise. Every surface suggests weight, texture, and craftsmanship.

Inspired by Murano exuberance and Lalique restraint, these floral sculptures shimmer with the appearance of glass. They fuse decorative tradition with digital invention. Neither flower nor glass, each form is crafted entirely with artificial intelligence. Gleaming, translucent, smooth, and crystalline. The mind believes what the eye can see.

Idealised male physiques inspired by ancient Greek gymnasium culture. These figures are sculpted not by hand, but by language — dreamed into being, not photographed. Competition, rivalry, and erotic tension converge in images that celebrate the body as the product of discipline and exercise, charged with homoerotic intent.

Here, AI becomes a kind of kiln — a crucible where words are fired into form. Drawing on Shino and Raku traditions, these ceramic objects appear glazed, crackled, and poised between function and abstraction. Illusory yet tactile, Forma explores the boundary between usefulness and beauty, material and simulation, belief and perception.

Nature reimagined through an artist’s eyes. These images shift from observation to expressive abstraction — brushstrokes without brushes, paintings without paint. Colour and texture record sensation rather than reality. Created entirely with AI, Nemoris explores how nature might be translated into image — through words, gesture, and technology.

Suspended sculptural forms made of simulated fabric, metal, and discarded plastic — crafted entirely with AI. These assemblages feel physical: draped, buckled, and twisted into dynamic tension. Structa examines the textures of consumption and material excess, conjuring an architecture of detritus that reveals the strange beauty of discarded things.

Minimalist tulip studies inspired by Robert Mapplethorpe — stark, sensual, exacting. Where Anthos revels in floral abundance, Thalis embraces restraint: one flower, one gesture, rendered through AI with photographic precision. These images are quiet  studies in beauty, simplicity, and the tension between light and shadow.

This floral series expands traditional cyanotype into a layered, digital spectrum. Created entirely with AI, some images explore CMYK halftones, colour floods, and offset textures, while others remain anchored in deep Prussian Blue. The work transforms botanical motifs into compositions that blur the line between print history and synthetic invention.

Here, the dirty workwear of manual labourers is fetishised through the lens of queer desire. These working-class heroes — gritty, tired, and masculine — were all created with AI. The images explore the tension between hardness and vulnerability, exposure and protection, and the slow, unspoken torture of wanting someone you can’t have.

This series of synthographs begins with a cut — into linoleum or wood. Stylised flowers and the male body emerge from these virtual surfaces, carved in digital relief. Inspired by traditional Linocut and Woodcut printmaking, but created entirely with language, these images explore how prompt and pressure can echo the mark of the hand.

Etched into black ink against off-white ground, these images recall the precision of etching and engraving. Male bodies and floral motifs alternate — rigid, poised, and controlled. AI hallucinations become part of the medium’s charm. Not pastiche or reproduction, but simulation. A modern take on classical ideals, made with the hand that doesn't exist.

Pull presents bold, colourful male portraits and figure studies imagined through AI with a screenprint aesthetic. Layered and luminous, these images transform the body into surface, icon, and gesture. More than imitation, they are synthographic visions — charged, sensual, and unapologetically contemporary in their presence.

Ceramic vessels paired with tables, rendered entirely through AI. From glazed finishes to mid-century lines, each composition feels plausible yet impossible — photographic, but not real. Ceta explores design through simulation, using AI as both sketchbook and lens. Nothing is physical, yet everything follows the logic of the tangible.

A digital nature study rendered with Flux 1.1 Pro Ultra. Synthetica explores artificial landscapes made by AI — glitched, pixelated, painterly, and precise. These images do not simulate reality; they reimagine it. Bold, synthetic, and unapologetically artificial, this is nature through the machine’s eye: invented, improbable, and eerily believable.

Ficta presents a collection of AI‑generated sculptures — non‑objects that feel tactile, uncanny, and utterly believable. Crafted in simulated materials, these impossible artefacts invite viewers to linger in a contemplative space between illusion and reality. Quiet, surreal, refined — yet undeniably physical in presence.

A series of imagined floral ceramics where clay and flowers merge into hybrid forms. Created with artificial intelligence, these objects hover between handmade and impossible — blossoms become vessels, petals collapse into bowls, blooms dissolve into abstraction — each carrying the uncanny tactility of things that don’t exist.

Tactile illusions rendered in soft, synthetic light. Textura explores the emotional resonance of material surfaces — nests, knots, voids — formed from simulated thread, fibre, and fabric. These are not objects, but sensations: visual murmurs of touch, memory, and silence. A suite of synthographs that whisper to the hand, as well as please the eye.

This series explores the simulated precision of vector graphics using generative AI. Clean lines, bold colours, and geometric motifs echo the aesthetics of digital design software — without using any. These are not true vectors, but visual imitations: constructed by prompts, rendered by machine, and flattened into symbols, shapes, and surface.